I was
struck by Gibson and Ewing's (2011, p. 129) anecdote about Howard Ikemoto, about his child’s surprise that his
father taught people to draw, “you mean they forget?” I am thankful for my
creative and supportive upbringing and continued value and engagement with the
arts beyond the classroom and the school years. The creative side of my brain
has not gone to sleep, and I was amazed at my ability to sketch the portrait of
Chris without too many reservations of ‘getting it wrong’. I was shocked that
many people said they had not drawn since school, whereas it is sometimes my
outlet for the frustrations of daily life!! I hope that I can instill this
value of art into my classroom, but I have my reservations given the crowded
curriculum. I was impressed at our tutor’s ability to seamlessly integrate
other KLAs into her explanation of how to draw a face, using maths, interactive
explanations like demonstrating proportions, shapes and so on. Although I did
art through to Year 12, I don’t once remember being explicitly taught how to draw using simple conventions like proportions of the face.
Doing so would have actually encouraged myself and others to continue to draw.
Follow the conventions of face drawings and you'll achieve surprising results! |
Familiarity with vocabulary of art is
important, but rather than needing to be explicitly taught, I think it would be
sufficient to model it, in the hope that students subconsciously start using
the language themselves, such as value, texture and repetition.
A final interesting thing we learnt in the
lecture was Wilson's Graphic Principles for decoding children’s drawings. I recognise a lot
of these features in my own early drawings, and even now. Perhaps our lack of
confidence in our drawing capabilities means we revert back to simple
representations – the simplicity principle. I don’t know if you can be judged
for drawing a ‘bad stick figure'!
Wilson's Graphic Principles |
As homework, we completed a name montage, where each letter of our name consists of a different material and reflects an interest we hold. This would be a good introductory art activity with a new class, to scope their abilities in art and get to know the students (Standard 1: Know your students) (AITSL, 2012).
Name montage |
References
Australian Institute for Teaching and
School Leadership. (2012). Australian Professional
Standards for
Gibson, R. & Ewing, R. (2011). Transforming the curriculum
through the arts. Camberwell: Palgrave,
Macmillan.
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