Creating a Soundscape is a method I am
really excited to use in a classroom, as it would holistically engage my
students whilst teaching them about organising sound. We listened to and
discussed our thoughts on an instrumental percussion piece called ‘rainforest’
by David Hewitt of B’Tutta. I was surprised how easily a context, mood and narrative sprung to
mind, almost subconsciously developing skills in thinking imaginatively and
creatively (with English syllabus links). Social and cultural contexts are
conveyed, and students would draw on their own memories and experiences. The musica viva website contains other pieces which can be used for soundscapes on lessons: http://www.musicaviva.com.au/vivazone/musicians/musician.asp?id=2
our Road Rage soundscape graphic notation |
A soundscape can be represented using
graphic notation, taking the form of a sequenced pathway, a static image read
as bars from left to right or top to bottom, or read with each group in rows.
Some sounds could be used continuously, intermittently, just once, and could be
played loudly, softly, fast or slow, and either standing alone or in
conjunction with other sounds. We created a narrative about road rage, using
the skin of a tambourine to indicate the air conditioning in the car, finger
cymbals to rattle keys, and a drum with a soft beater to create a feeling of
simmering rage as the volume and pace increased.
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